Adam and Aaron weigh in on Jim Carrey's recent interviews which have baffled his fans the world over. Apparently there is no such thing as Jim Carrey at all. What might this mean? Has JC lost his mind, or is he onto something?
topics include: identity, psychology, persona, Eastern religion, metaphysics, philosophy, Norm MacDonald, sexual alchemy, occult, Gnosticism, conspiracies, alternative research, truth, woke, E! network, Dionysus, world stage, masks, celebrity culture, prestige, creative freedom, artists, entertainment industry, performance art, manic depressive, depression, actors, feeling empty, fulfillment, ego, mainstream media, Hollywood small talk, cringe worthy, meditation, nothing is real, comedy, humor, epiphany, truth seeking, Andy Kaufman
While widely panned, The Circle is a film that does a good job at presenting some very important ideas. Adam and Aaron talk about its commentary on corporate life, cults, sousveillance, and real life Silicon Valley tech giants.
topics include: extra unpublished podcast episode, The Circle, Tom Hanks, Emma Watson, novel, popular fiction, Silicon Valley, work life balance, young urban professional, See Change, transparent, sousveillance, social ideals, corporate cults, total surveillance, privacy, secrets are lies, marketing, exploitation, critique of yuppie lifestyle, social climbing, networking, branding, lifestyle marketing, work campus, brand loyalty, technology as revolutionary change agent, Mercer, critics of technology, SJWs, no escape, Soul Search, car crash, press conferences, political aspirations of tech companies, simplified portrayals of politics, terrible casting, few bad apples motif, brainwashing, separation from family, self driving cars, terror attacks
On this episode, we review the 2014 thriller Nightcrawler, Directed by Dan Gilroy and starring Jake Gyllenhaal.
The film follows enterprising psychopath Lou as he scouts the nocturnal underbelly of Los Angeles looking for opportunity. After being inspired to become a 'Stringer'; filming urban drama for local news stations, Lou's talent for exploiting tragedy garners him fame and fortune on the LA morning news circuit. But without empathy or conscience to temper his ambitions, he soon crosses the line between neutral observer and active participant.
We discuss the portrayal of psychopathy and how this personality type is perfectly suited to news media, where exploitation is the very currency of the industry. The character of Lou finds himself at home amongst carnage and calamity, and has no inhibitions about manipulating both people and situations to his own advantage.
We look further at the film's portrayal of the industry and the obvious references it makes to Los Angeles and Hollywood culture. By setting the scene at nighttime and focusing on local TV stations, the film reveals a darker side to 'Tinseltown', far from the bright lights and the silver screens, where has-beens and would-be's exploit every opportunity to get ahead and stay relevant.
We also touch on the capitalist mythology espoused by Lou as he ruthlessly manoeuvres his way into the industry, discarding those who stand in his way. The supporting character of Rick exemplifies the struggles of the empath in contending with the pathological nature of the economic system, where numbers trump integrity and narratives trump the truth.
Is 'Nightcrawler' a critique of Hollywood in general, and is it in fact a critique of the entire economic system? Does the psychopathic character of Lou tell us something profound about mass media? Be sure to check out our next episode, where we explore the concept of news stories and media narratives, looking at what Nightcrawler tells us about perception.
Topics discussed include: Los Angeles, KWLA-6, Jake Gyllenhall, Bill Paxton, Rene Russo, Riz Ahmed, Psychopath, Sociopath, Cluster-B, Narcissist, Accident, Emergency, Crime, Urban, Carjacking, Stringer, Filming, Thief, Capitalism, Opportunism, Underbelly, Local News, Car-Chase, Dodge Challenger, Police, Shootout, Beverly Hills, Bel Air, Hollywood, Affluence, Carnage, American Dream, Americana, Inspiration, Exploitation, Blackmail, Ratings, Narratives, Weakness, Empath, Psychology, Sabotage, Music, Soundtracks, Ambience, Skid Row, News Anchors, Attractive Women, Television, Sensationalism, Blood, 5 Arguments for The Abolition of Television, American Psycho, Selling Yourself, Employment, Bullshit, Hard Work, Being Realistic, Selling Out, Murder, Profit, Darkness, Attention, Scandal, Controversy, Expose, Actors, Stars, Celebrities, Debasement, Current Events.
On this special episode, we deconstruct the 2016 US Presidential Race between Hilary Clinton and Donald Trump, focusing on the social phenomenon of broad-based Trump support within alternative and conservative demographics.
Rather than a partisan assessment of the candidates themselves, we look at Pro-Trump sentiment in the Alt-Media as a result of social disintegration in the wider ‘Truth Movement’, where the failed ambition of 9/11 Truth and Anti-Establishment groups has given birth to the rise of the ‘Alt-Right’ and White-Identity Politics.
We discuss the study of popular narratives and internet memes by the DoD, looking at how opinion and culture can be analysed and influenced, and how the psychological principals of propaganda are so easily utilised in the information age. Given the new set of cultural narratives that are rising to prominence, we explore the morphing of traditional 'conspiracy culture' into right-wing ideology, looking at the motives and ambitions of those who are leading the charge.
Is the 2016 election a piece of scripted drama for the masses? Has it been designed to absorb the 'Truth Movement' and lead it down the primrose path towards destruction? Is Donald Trump sincere in is bid for the Oval Office, or is he simply appointing himself as the vanguard of a reactionary uprising against the liberal establishment?
Topics Discussed include: Donald Trump, Hilary Clinton, Election, 2016, Memes, Narratives, Culture, Debates, Alternative Media, Truth Movement, Alt-Right, Milo Yiannopoulos, Alex Jones, Red Ice, Conspiracy, Left Wing, Globalism, Liberal, Rigged Election, Corruption, Trump-TV, Propaganda, David Icke, Democrat, Republican, Obama, Jacques Ellul, PSYOP, Fascism, Opportunism, 9/11 Truth, Victimhood, Flat Earth, Nazi's, 2012, NWO, Elite, Establishment, Zeitgeist, Religion, Political Correctness, Paul Joseph Watson, Steven Crowder, Gavin McInnes, Joe Rogan, Vikings, White Identity Politics, Immigration, Police State, Martial Law, Terrorism, DARPA, SMISC, Narrative Networks, MIC, Internet, Cherrypicking, Nightcrawler, CIA, FBI, Karl Rove.
On this instalment, we welcome artist and author Thomas Sheridan from thomassheridanarts.com to discuss the 1973 classic-horror film The Exorcist.
The film introduces Washington D.C Actress 'Chris MacNeil' as her 12 year old daughter 'Regan' begins to exhibit increasingly disturbed behaviour. Despite a number of tests and treatments, Regan's condition continues to deteriorate amidst a series of shocking paranormal events. After the medical establishment concedes defeat, it is deemed that a metaphysical approach may be the only option left, and so Chris consults the local Jesuit order to exorcise the demon.
We discuss the historical relevance of the film, in terms of its mythos and cultural significance at the time. The film is widely regarded to be one of the most disturbing horror movies ever made, and traumatised audiences throughout the 70's and beyond.
We look at the social critiques being made in the film in relation to science, rationalism, the medical industry and religion; whereby the backdrop of trauma and crisis leaves both the characters and the audience in a state of conflict. We also explore the occult story being told in the film relating to the nature of evil, before looking at why this film is less shocking now than it was in 1973.
Topics discussed include: Thomas Sheridan, Iraq, Babylon, Pazuzu, Demon, Georgetown, University, Washington D.C, Elite, High Society, Possession, Paranormal, Destruction of Innocence, Nature of Evil, Movies, 1970’s Standards, Pop Culture, Miley Cyrus, Sexual Conduct, Debasement, Shock Value, Marketing, Aleister Crowley, Choronzon 333, Medical Industry, Big Pharma, Ritalin, Rationalism, Science, Scientism, Religion, Love, Faith, Catholic Church, Vatican, Jesuit, Priest, Fear, Cluster-B Personality, Occult, Carl Jung, Art, Consciousness, History, Conspiracy, Symbolism, Freemasonry, Vietnam War, Snowflake Phenomenon, Safe Spaces, Bureaucracy, Theatrics, Manipulation, Victim Complex, Psychic Immunity, Trauma, Delusion, Moral Judgements, Critiques, Thomas’s Books, Puzzling People, Defeated Demons, Walpurgis Night, The Druid.
On this installment, we return to one of our very first reviews by looking at its 2016 sequel Now You See Me 2, directed by John M. Chu.
The film picks up a year after the Four Horsemen's introduction to the world, where they lay in hiding and await further instruction from 'The Eye'; the mysterious secret society they had previously been inducted into. After finally being prompted to orchestrate another public spectacle, the show is hijacked by a hacker who exposes the Horsemen and blackmails them into stealing a secret surveillance device. But as the Horsemen work to turn the tables on their new adversary, the intrigue and subterfuge builds toward a grand revelation that changes everything.
We discuss the sequel in comparison to the first film, reiterating the storyline and common threads relating to secret societies and the mystery school tradition. We look at the arts of stagecraft and sleight of hand, and how these tools are used to create mystery and spectacle in the real world. The Four Horsemen clearly personify the mass media complex, where sensationalism and trivial revelation are used to distract the audience from something else.
We look at the multi-layered understandings within the story, and how both the Horsemen and the audience are taken through a ritual process of role-play, revelation, and initiation; whilst the greater truth remains obscured in darkness. We also touch on concepts like surveillance and secret societies, questioning as to what message the film is trying to send about these two controversial topics.
Given that the film was clearly created by a group of initiates, what perception do they want us to have about secret societies and their role in society?
Topics discussed include:
Magic, Mystery, Heist, Illusion, Deception, Secret Society, Symbolism, The Eye, Four Horsemen, Apocalypse, Revelation, Jesse Eisenberg, Morgan Freeman, Mark Ruffalo, Surveillance, Social Media, Sleight of Hand, Alchemy, Daniel Radcliffe, Michael Caine, Tarot, The Fool, Houdini, Rhodes, Atlas, Stagecraft, Initiation, Celebrity, Uri Geller, Cold War, CIA, Mi6, Paranormal, Counterintelligence, Attention, Logic, Suggestion, Publicity, Multi-Layered Understandings, Perception, Ego, Fame, Role-Play, Freemasonry, Disney, National Treasure, Benevolence, Ed Solomon, Boaz Yakin, Symbolic Language.
On this episode, we look at the 2013 Indie Spy Drama, The East Directed by Zal Batmanglij.
The film follows corporate intelligence operative 'Jane' (played by co-writer Brit Marling) as she is tasked with infiltrating a radical anarchist cell who have been attacking high profile industrialists in retaliation for their corporate crimes. Calling themselves 'The East', the group operates on an 'eye for an eye' strategy, targeting high level corporate executives with specific acts of violence to mirror the suffering of their victims.
After forging her cover identity and blending into the nomadic underground of anarchist drifters, 'Sarah' finds herself at the The East's secret headquarters and eventually adopts an active role within the group. As her time undercover wears on though, she begins to feel split loyalties between The East and her corporate employers; questioning her conservative worldview and developing genuine sympathy for the group and their anarchic cause.
But despite her political awakening and her growing loyalty to The East, Jane soon finds that all is not what it seems.
We discuss the many strong points of the film, being an independently written story with well conceived plot devices and engrossing character development; where the clash of political ethos and social attitudes conveys a number of complex perspectives. We explore questions of perception and self-interest, looking at the contrast between ideas of consumerism and freeganism, and how wilful ignorance allows corruption to flourish.
We also touch on the bohemian, pragmatic outlook of both the corporate establishment and the off-grid anarchists, where the ends justify the means and the notion of self-righteousness becomes an end unto itself.
Is industrial crime a question of conspiracy or ignorance, and what actions are justified in stopping it?
Topics discussed include: Hiller Brood, Private Intelligence, Infiltration, Undercover, Brit Marling, Alexander Skarsgard, Ellen Page, Anarchists, Conservative, Consumerism, Materialism, Capitalism, Ignorance, Conspiracy, Industry, Pollution, Environmentalism, Freeganism, Rail Riding, Dumpster Diving, Squatting, Nomads, Big Pharma, Oil, Medications, Corruption, Sympathy, Terrorism, Lifestyles, Perception, Perspective, Loyalty, Revolution, Conflict, Females, Gender, Interpretation, Indie Films, Characters, Love Triangle, Economics, Espionage, Politics, Wastefulness, Direct Action, Jams, Radicalism, Violence, Food, FBI, Ethics, Bohemian, Cold War, Far-Left, Corporations, Pragmatism, Crime, Executives, Military-Industrial Complex, Competition, Publicity, Rationalism, Trump, Comfort, Security, Nature, Consequences, Victims, Spaghetti, Pasta, Meatballs.
On this episode, we welcome special guest Pearse Redmond from Porkins Policy Review to discuss the new Netflix Original series, Stranger Things.
Comprising one season of eight episodes thus far, the show is one of many recent productions that are made exclusive to on-demand platforms, and has fast become a sentimental sensation among its thirty-something target audience; thanks to its pastiche of 80's pop culture references and nostalgic plot devices.
We start by establishing the beginnings of the story, where strange events begin to unfold in 1980's small town America. Set against the backdrop of a secretive Cold War experiment at a local government facility, the series blends real world references to geopolitics and conspiracy culture with a heavy overlay of fantasy, horror, and science fiction - staying true to the aesthetic and screenplay of the classic 80's sub-genre.
We also explore one of the most interesting aspects of the series, in looking at the target marketing of customised entertainment, where tools like analytics and meta-data seem to be driving the production of on-demand, niche-marketed TV series. Is a merge between Hollywood and Silicon Valley going to be the next big tech revolution?
Finally, we discuss some of the archetypes, roles, and cultural dynamics being presented in the show, and explore the question of how mass culture can influence our perceptions of history, where memories are continuously filtered through an emotional overlay of sentimental entertainment.
Topics discussed include: Stranger Things, Netflix Original, Duffer Brothers, On Demand, Binge Watching, 1980's, Hawkins Indiana, Children, Dungeons & Dragons, Demagorgon, Upside Down, Akira, Nostalgia, Pop Culture, Homage to classic 80's films, Sentimentality, The Goonies, ET, BMX Bikes, Poltergeist, The Neverending Story, Labyrinth, Stand by Me, Steven Spielberg, George Lucas, Stephen King, Super-8, J.J Abrams, 11, El, The X-Files, Alphabet Agencies, Shadow Government, Department of Energy, CIA, DOD, Pentagon, NSA, NASA, MK-ULTRA, Project Stargate, Remote Viewing, United Earth Army, Men Who Stare at Goats, Jay Dyer, SRI, Aspen, Esalan, Conspiracy Culture, Cold War, Men in Black, UFO's, Paranormal, Supernatural, Horror, Mind Control, LSD, Surveillance, ESP, Telekinesis, Mainstreaming of Conspiracy, Addictive Nature of TV Shows, Epic Dramas, Nostalgia as Bait, 80's Aesthetic, Graphics, Font, Analog Synth Music, Novelty Factor, Target Marketing of Culture, Silicon Valley, Hollywood, Demographics, Children of the 80's, Meta-Data, Analytics, Synchronicity, Social Norms, Paranoia, Geopolitics, Ronald Reagan, Altering History, Filter of Memory, Innocent Fun, Authority Figures, Government, Gender Roles, Lack of Parenting, Latch-Key Children, Reflections.
We return to the film 'The Wicker Man', looking at themes of manipulation, ritual drama, and staged provocation, before transposing these concepts onto the current metapolitical climate as we see it.
We explore the idea of 'the willing fool' archetype being incited by 'crisis actors' to role-play in dramatic and provocative theatre, from 'terror attacks' to reactionary meme wars; looking at how this alchemical concept of the meta-theatre is being used to advance a strategy of tension. We also look at the conflict between the left and right archetypes in sociopolitical trends, and how different demographics are being lured into base, suicidal ideologies by theatric provocations, ultimately accepting martyrdom.
Finally, we discuss the esoteric aspects of dialectical conflict, and how secret societies like Freemasonry have always used opposing forces to induce tension and create change, touching on concepts of staged terror events, political antagonism, and social malaise.
Topics discussed include: The Wicker Man, Manipulation, Provocation, Terror Attacks, Political Conflict, Dallas Shooting, France Event, Overstimulation, Social Tension, Crisis Actors, 'The Willing Fool', The Clown, Propaganda, Mass Confusion, Conspiracy Culture, Extremism, Alt-Right, Left vs Right, Justice, Religion, Right Wing, Sacrifice, Radicalisation, Reactionary Rhetoric, Strategy of Tension, Racism, Leftism, Popular Attitudes, LGBT, Debates, Triggers, Ritual Dramas, Archetypes, Role Play, Political Demographics, Martyrdom, Alchemy, Meta-Theatre, Operation Gladio, P2 Lodge, Creative Destruction, Dialectics, Secret Societies, Freemasonry, Square & Compass, Opposing Forces, Regeneration, Controlling Narratives, CIA, Political Candidates, Occult Process, Masks, Possession, Anonymous, Crowd Psychology, Global Meta-Theatre, Playing The Fool, The Wicker Man Afterthoughts, Unworthy Sacrifice.
On this episode, we continue looking at themes of occult ritual and esoteric psychodrama via the 1973 mystery/horror film 'The Wicker Man'. Another 'conspiracy-classic', the film follows a Scottish Highlands Police Officer who travels to a remote island community after being tipped off about a missing schoolgirl. After encountering the Heathen rites and traditions of the townsfolk, he eventually deduces that a ritual sacrifice to the Pagan gods is being planned, thus inciting him to infiltrate the ceremony.
We discuss the arcane arts of manipulation and subterfuge, the 'Willing Fool' archetype, and the myopic misunderstandings of the Christian initiate as he wills himself to martyrdom. We also take a look at the dichotomy of psychological principals that are played out through the clash between Paganism and Christianity, and touch on the possibility of a higher Masonic conspiracy on both sides of the religious divide.
Be sure to join us on our next review, as we draw parallels between 'The Wicker Man' and the current sociopolitical climate, where crisis actors and 'willing fools' are fuelling the strategy of tension.
Topics discussed include: 'The Wicker Man', Robin Hardy, Synchronicity, Scotland, Scottish Highlands, Hebridean Islands, Summerisle, Christian Police Officer, Pagan Community, All-Seeing-Eye Symbolism, 'The Green Man' Inn, The Bartender's Daughter, Willow, Sex Magick, Regenerative Rituals, Fertility, Shock and Offence, Maypole, Mayday, Phallic Symbolism, Folk Music, Deception, Manipulation, 'The Willing Fool', Tarot Archetypes, Religious Conflict, Psychological Interpretations, Ego, Force vs Understanding, Masculinity vs Femininity, Monogamy vs Polygamy, Techniques of Subterfuge, Sexual Energies, Temptation, Seduction, Lord Summerisle, Wordplay, Masonic Undertones, Kilts, Aprons, Gloves, Swords, Religion as Social Control, 'Punch, The Fool', Ritual Sacrifice, Pagan Ritual, Hermaphrodite, Hobby Horse, Fish, Myopic Attitudes, 'Willing, Virgin, King-Like Fool' archetype, Irony, Christian Morality vs Pagan Morality, Wicca, Martyrdom, 'King for a Day, Fool for a Lifetime', Patriarchy vs Matriarchy, Hexagonal Sword Ceremony, Passing Through the Gate, Masonic Ritual, Star of David, Opposing Principals, Seal of Solomon, Understanding of Religion, The Crown, Wider Conspiracy, Playing Roles, Ritual Drama, Provocation, Sacrificial Magick, Similarities between Religions.
On this episode, we return to the theme of financial corruption and public indignation via the 2016 siege-drama; 'Money Monster'. Directed by Jodie Foster and starring George Clooney and Julia Roberts; the film follows a financial-affairs based TV crew on Wall Street as a disgruntled investor storms the set and holds them hostage on live TV. Angry and demanding answers over the disingenuous financial advice he has been given, we examine the increasingly predominant themes of anti-Wall St sentiment, popular indignation toward the system, and the theatre of reactionary politics around socioeconomic issues. We also look at the Hollywood A-Listers involved in the film, the symbolic illustration of esoteric concepts, and the broader social messages in relation to justice and moral victory.
Topics discussed include: 'Money Monster', Wall Street, 'Mad Money', Jim Kramer, Goldman Sachs, Ridiculous Cable Shows, Stockmarkets, Fraud, Fiat Currency, Software Glitch, Narrow AI Algorithms, Speed Trading, 'Assault on Wall St', Jodie Foster's History with John Hinckley Junior, Mark David Chapman, Catcher in The Rye, Gun Control, MK-ULTRA, Corruption and Theft in Finance, Rebellion, Indignation, Disenfranchised Everyman, Lack of Journalism, Public Relations, Conflict of Interest, Media Incitement, Julia Roberts, George Clooney, United Nations Messenger of Peace, Council on Foreign Relations, The Sentry Foundation, Philanthropy, Diplomacy, Charities, Clooney Links to CIA, Clooney Being Groomed for Politics, Lee Gates Character, Masonic Coding, 'Money Monster=MM=Master Mason', Sentry=Gatekeeper, Gates to Solomon's Temple, Gatekeeper of The Wealthy, Hundred Dollar Bill, Benjamin Franklin, All Seeing Eye Symbolism, IBIS=Sacred Animal of Knowledge, Bank of International Settlements, ISIS=Public Enemy No.1, Public Outrage, Antagonism, Hypocrisy, Sensationalistic Media, Moral Relativity, Lack of Decisive Victory, 'The Wolf of Wall St', 'The Big Short', Lack of Moral Resolution in Films, U.S Political Divide, Hilary Clinton, Donald Trump, Anti-Establishment Rhetoric, Blending of Reality & Fiction, Strategy of Tension, Orlando Shooting, Frequency of Crises, Despair, Confusion, Masculine 'Right Path' and Feminine 'Left Path' Archetypes, Conflict of Inner Duality, Climate of Anger and Provocation.
On this instalment of Themes & Memes, we return to the subject of converging technologies via the 2015 indie film 'Creative Control'. Directed by Benjamin Dickinson and distributed by Amazon Films, the film casts Dickinson himself as 'David', a hip, NYC based advertising executive tasked with marketing 'Augmenta' glasses; the latest in augmented reality technology. After being given a pair to test out, we follow David's descent into the hedonism of the NYC Hipster scene, as he pursues an affair and drifts further into distractions and escapism.
Topics Discussed Include: Creative Control, Google Glasses, Augmented Reality, Amazon Films, Benjamin Dickinson, Gavin McInnes, Advertising, Music Videos, NYC, 'Augmenta', Autobiographical Story, Hipster Lifestyle, Yoga, New Age, Relationship Dynamics, Sexual Appetites, Affairs, Infidelity, Occult Principles, Promiscuity, Reality Vs Fantasy, Guilty Pleasures, 'Sexting', Distractions, Pandering to Base Desires, Present Moment Awareness, Advertising, Philosophy of Marketing, Lack of Focus, Younger Generation, ADHD, Escapism, Virtual World, Marketing of Converging Technologies, Tailor Made for Hipsters, Devotion to Fashion & Trends, Inability to Escape the System.
On this episode, we take a serious look at a ridiculous film in 'Talladega Nights - The Ballad of Ricky Bobby' from 2006. Being the second instalment in Will Ferrell's 'Mediocre American Male' film trilogy, we deconstruct the ways in which this sub-genre of comedy mocks conservative American culture, most especially the presidency of George W. Bush and the mainstream conservative value system. We also look at the 'Sabido Method' of transposing social norms through screenplay, along with other tricks of stagecraft such as the use of comedic extremes, real-word references, and self-satirical product placement.
Topics discussed include: Talladega Nights, Will Ferrell, John C. Reilly, Judd Apato, Adam McKay, 'Mediocre American Male', Comedic Actors, Genres of Comedy, Popular Culture, NASCAR, Anchorman, Deconstruction of Conservative Values, Contemporary Morality Play, Risque Humour, Conservatism, Right Wing Politics, Cultural Demographics, Christianity, George W. Bush, DuPont, DynCorp, Halliburton, Carlyle Group, KFC, McDonalds, Product Placement, Self-Satire, Sasha Baron Cohen, Perrier, France, LGBT, Sophistication, Character Archetypes, Frontrunner vs Underdog, Debasement, Degeneracy, Gender Roles, Denigration of the Male, Juvenile Behaviour, Drugs, Homoeroticism, Sexually Inappropriate Themes, Profanity, Sabido Method, Breaking Down Prejudices, Changing Moral Values, Comedic Technique, Lack of Judgement, Identification with Archetypes, Stupidity, Comedic Extremes, Pushing the Envelope, Political Statements, Dialectics, Liberalism vs Conservatism, Toilet Humour, Subversive Impact of Comedies.
On this episode; we look back at the life and legacy of Apple Co-Founder Steve Jobs, via the 2015 biopic of the same name. The film constitutes three major acts, each focusing on a major product release through 1984-1997. In addition to being given a backstage look at the personal computing revolution, we are also familiarised with the character himself. With his unique background and unrelenting personality; we examine how Jobs' drive and ambition helped shape the information age, and the things he sacrificed in doing so.
Topics discussed include: Apple, Steve Jobs, Steve Wozniak, NeXT, Pixar, Multiple Biopic Dramas, Mythology, Disney, Entertainment, Zen Buddhism, Eastern Mysticism, New Age, Entrepreneurship, Personal Conflict, Ambition, California, Hippies, Counterculture, Laurel Canyon, Silicon Valley, 'Daz Netz, The Unabomber, Personal Computers, Revolution, LSD, Veganism, Freemasonry, Alchemy, Occultism, Forbidden Fruit, Symbolism, Social Change, Aspen Institute, Esalen Institute, Terrance McKenna, Evolution of Consciousness, Arthur C. Clarke, The Great Work, Personal Life, Daughter, Shortcomings, Narcissism, Ego, Steve Jobs death Conspiracy Theory, Cult of Apple, Iconoclasm, Brand Loyalty, The Cloud, Impact on Technology, Personal Apple Products.
On this episode, we cover the 2015 Biographical Comedy/Drama 'The Big Short'. The film chronicles the lives and experiences of several key stock traders on Wall Street during the 2008 financial crash. Like numerous other films and documentaries on this particular subject; the film provides audiences with a humorous and hallowing insight into 'Wall St culture' and the events leading up to the crash, whilst inciting a strong sense of outrage and indignation over the injustices perpetrated upon the general public - both then and now.
Topics discussed include: Academy Awards, Promotion, True Story, Biopic Drama, Ensemble Cast, Big Banks, Corruption, Rogue Traders, Outsiders, 2008 Wall St Crash, Housing Bubble, Subprime Loans, CDO's, Financial Products, Comic Relief, Documentary Techniques, Narrative Films, Blend of Fact and Fiction, Ryan Gosling, Steve Carrell, Christian Bale, Vacuous Nature of Western Culture, Economics, Taking Advantage of Stupidity, Wilful Ignorance, Las Vegas, Gambling, New York, Casinos, Vice, Indulgence, Greed, Confusing the Audience, Appealing to Materialism, Envy, Inciting Indignation, Sensationalism, Hedonism, Omission of Truths, Referencing Conspiracy Culture, Brad Pitt, Conspiracy Theorist, NSA, Monsanto, Patriot Culture, Getting Revenge, Provoking Outrage, Multiple Layers.
On this episode, we look at 'Tomorrowland'; a Disney film based on the future-themed arena within Disneyland of the same name:
"Whenever Casey Newton (Britt Robertson) touches a lapel pin with the letter T on it, she finds herself transported to Tomorrowland, a city filled with huge robots and sleek buildings. The gifted young woman recruits the help of scientist Frank Walker (George Clooney), a previous visitor to Tomorrowland, who years ago made a startling discovery about the future. Together, the two adventurers travel to the metropolis to uncover its mysterious secrets."
Topics discussed include: Los Angeles, Disneyland, Futurism, Walt Disney, Science, Scienctism, Technocratic Ideals, Optimism, Pessimism, Target Audience, Childen, Young Adults, Females, NASA Involvement, George Clooney, CFR, Fantasy Elements, Infantile Plot Devices, Environmental Propaganda, AGW, Overpopulation, Dystopian Themes, Apocalyptic Messages, Ray Bradbury, 'Fahrenheit 451', George Orwell, '1984', Aldous Huxley, 'Brave New World', Scientific Prophecy, Recruitment, Initiation, Utopianism, Conflicting Messages and Ideas, Confusion, Propaganda Techniques on Children, Family Dynamics, Young vs Old, Emotional Manipulation, Malicious Intent.
Due to both technical problems and logistical delays in publishing our 21st episode; we gave up on trying to review a film, and simply recorded a spontaneous, off the cuff discussion on a variety of subjects. We kick things off by giving listeners the inside scoop on what's been going on behind the scenes, before moving into some general back on forth on social issues, cultural trends, and life in general.
We'd also like to apologise to our audience for the lack of output recently, as this impromptu recording represents the first episode we've published since June. Rest assured though, we will be back soon with more film-review podcasts, and we also have other forms of content in the works right now too - so stay tuned.
Topics discussed include: Technology, Los Angeles, California, Hollywood, Frank Capra, 'Meet John Doe' (film), Public Service, Freemasonry, Solar-Symbolism, Georgia Guidestones, Virtue, the 'Truth Movement', State of Decay and Confusion, Rise in Destructive Beliefs, Alex Jones, Russell Brand, Joe Rogan, Authorised Leaders, Big Business Connections, Cross-Cultural Themes, Commerce, Making Compromises, Dave Chapelle, Integrity, 'The Chapelle Theory', Truth vs Personal Interests, Cults, Propaganda, Public Relations, David Lynch, TM, Manufactured Superstars, Appealing to Newcomers, Creating Allegiance, Culture Creation, The Pace of Life, Human Values vs Transhuman Values, The Economic System, New Technologies, Technocratic Philosophy, Ubiquity of Converging Technologies in Film, Social Impacts of the Media, Mens Rights vs Feminism, Radical Ideologies, Gender-Based Conflict, Changing Attitudes towards Gender and Sex, Extreme Sexual Liberalism, Damage to Children, Problems with Extreme Liberal Ideology, Commercialised Culture, Commodification of Ideas, Marketing of Cults, General Discussion, Personal Lives, Future of Themes & Memes.
In our 20th instalment, we take a parting shot at the A.I, Robot, and Android orientated films that seem to have defined the first half of 2015. British Director Alex Garland's 'Ex-Machina' (latin - 'From The Machine') represents one of the more sophisticated and intellectually provocative films that that AI genre has offered up as of late - in making obvious references to reality, whilst simultaneously toying with the unknown and prompting serious philosophical contemplation. While it borrows from films of lesser magnitude; 'Ex-Machina' refrains from becoming a Singularity sales-pitch in the way we've come to expect, but rather inspires reflection on the most fundamental questions of Artificial Intelligence and how it might relate to the human condition.
Topics discussed include: Greek Theatre, 'Deus Ex Machina', God From The Machine, Consciousness, Nature, Technology, References to Reality, Google, Facebook, Search Engines, Silicone Valley Executives, Larry Page, Turing Test, Alan Turing, Big Egos, Megalomania, Juxtaposition of Personalities, Social Experimentation, Total Surveillance, Mass Data Aggregation, Secrecy, Invasion of Privacy, Psychological Profiling & Manipulation, Social Experimentation, Human-Machine Bonding&Interaction, Empathy, Subterfuge, The Willing Fool, Idealism, Humanising The Machine, Biblical/Occult Names, Ulterior Motives, Alchemy, Personification of Nature & Quintessential Principles, Creation of Anatomic Perfection, Sexual Energies, Emotional Manipulation, Abuse of A.I, Sadism, Sex Slavery, Breakdown of Identity, Machine Behaviour - Reality vs Simulation, Creation Trumping Creator, Multiple Levels of Deception, Revelation of The Method, Betrayal.
In this instalment of Themes & Memes; Aaron and Adam continue to focus on the wave of Robot, Android, and A.I themed films that have been flooding the Box Office for the past few months - in analyzing the film 2015 'Chappie', by Neill Blomkamp. Colourful, vibrant, and entertaining; the film juxtaposes humour, innocence, and virtue, with darkness, sadism, and depravity - where a Military-Industrial Robot is given the gift of consciousness, and must battle with the influences of all those who have a stake in his existence.
Topics discussed include: A.I Artificial Intelligence, Neill Blomkamp, Dystopian Future, Die Antwoord (band), Ninja, Yolandi Visser, Gangs, Sentience, Consciousness, Innocence, Virtue, Emotional Intelligence vs Logical Intelligence, Military-Industrial Mindset, Psychopathy, Hugh Jackman, Sigourney Weaver, Sadism, Mind Control, Human-Machine Bonding, Ritual Abuse, Transhumanism, Mortality vs Immortality, Creation overcoming Creator, Technological Transcendence, Religion vs Science, Evolution, False Flag Events, Robocop, The Machine, District-9, Elysium, Cross Cultural Promotion and Marketing of Transhuman themes.
In this bonus installment of Themes & Memes, Aaron and Adam embark on a spontaneous, informal chat about Hollywood, the cult of celebrity, and the psychodynamics of celebrity worship.
Topics discussed include; Cult of Personality, Celebrity Neurosis and Breakdown, Suicide, The '27 Club', Life as a Stage, Theatrics, Public Relations, Identity Crisis, Public Obsession with the Character, Marketing of Popular Causes, Shia Labeouf, Fast & Furious, Alpha Males, Female Celebrity Obsession, Tom Cruise, Action Heroes, Living the Persona, Buying the Image, Kevin Costner, Manufactured Personas, Suspension of Disbelief, 'Starsuckers' Documentary, Tabloidism, Kim Kardashian, Psychology of Actors & Celebrities.